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Erin Peters

February 14, 2019 by wpengine

Looking at Love in Ancient Egypt

With Valentine’s Day here, it’s hard to ignore all of the chocolate displays in stores and the sappy movies on TV – some might say that love had been commercialized for companies to make a quick buck. While they may be right about America in 2019, the same cannot be said about the ancient Egyptians.  The Egyptians are credited with a lot.  They built the pyramids, they mummified bodies and had giant elaborate tombs.  One thing that people might not think about as often is how the Egyptians experienced love, marriage, and even infidelity and divorce.

Our first stop on the love train is the story of Isis and Osiris – two of the most famous gods of ancient Egypt.

image of Osiris

As seen in this image from the Walton Hall of Ancient Egypt here at the Carnegie Museum of Natural History, Osiris is depicted as green-skinned, and he looks like a mummy! These are attributes unique to Osiris and they come from the story of himself and Isis.  Osiris was reigning as king, and his brother Set was not too happy about it.  So, he killed Osiris, tore his body into a bunch of pieces and strew them all over Egypt.  In her mourning, Osiris’ wife Isis traveled far and wide to gather all of the pieces of her husband to eventually put them all back together and had a child with him.  That child was Horus, who would then go on to avenge his father and kill his uncle.  If that’s not love, then I don’t know what is.

Our second stop is on the topic of marriage in ancient Egypt.  In American culture today, weddings are huge expensive parties that include entire families, huge cakes, and poufy dresses.  This is not anything like marriages in ancient Egypt.  Early marriages consisted of a woman entering a man’s house with whatever goods that they had agreed upon and the husband signing some paperwork.  Often marriages were arranged, but there is evidence that importance was placed on a loving couple, like love poems and songs found at the workers village of Deir el-Medina.  The people living in this area were usually tomb builders or painters, like Sennedjem, the owner of the tomb in Egypt on which our reconstruction is based.

text on pottery shard from ancient Egypt

Love poems from Deir el-Medina could be found on similar surfaces as those on display in Walton Hall, like these shards of stone and ostraca (shards of pottery). Sometimes shards like these were used like “scratch paper” and discarded, leaving them for archaeologists to find.  According to Cameron Walker at National Geographic, these poems turned simple daily tasks such as catching fish into metaphors for their love.

Marriage was supposed to be everlasting for a good pair.  If you were faithful to your spouse and a good spouse overall, you could find them waiting for you in the afterlife.  If you were not good to them, you might not see them, or you might not even get to the afterlife at all.  But, Egyptian society was quite sophisticated, if things didn’t work out in life, there were options for divorce.  If either the husband or wife was dissatisfied, they could initiate a divorce, and the settlement was seemingly as simple as the marriage.  Some paperwork was signed, and assets were divided upon agreements during the marriage.  One important pillar of marriage was fidelity.  If a spouse was found to be unfaithful to their partner it would be seen as grounds for a divorce.

Overall, the Egyptians placed emphasis on being faithful and being a loving spouse.  But at least in the realm of the gods, there were cases of love that transcend our comprehension.  Let’s be honest, who would really go all over and find pieces of their dead spouse…anyone?  So, all in all the ancient Egyptians might seem to be a mysterious people but in the aspects of love and marriage they are really just like everyone else.  We are all just people looking for love and, in the case where we can’t find it, cheap sweets to tide us over.

Anthony Kamler is a volunteer in the Section of Anthropology. Museum employees and volunteers are encouraged to blog about their unique experiences working at the museum! 

Filed Under: Blog Tagged With: ancient egypt, anthropology, egypt, Erin Peters, Walton Hall of Ancient Egypt

October 17, 2018 by wpengine

The Haunted Walton Hall of Ancient Egypt and the Mystery of the Blob

by Erin Peters

If you visited our Walton Hall of Ancient Egypt in the last few weeks, you may have seen the windows and doors blocked so you couldn’t see inside. With this dramatic drapery, perhaps we were preparing a haunted Walton Hall for our October 26 After Dark? Alas, this is not the year of the mummy, but something mysterious was happening inside!

Walton Hall of Ancient Egypt with door blocked to light

We are on the search for something missing from our Dynasty 12 funerary boat buried at the pyramid complex of Senwosret III. Even from this very spooky photo taken when we had the gallery blocked from light, you can see the boat is made of wood – cedar of Lebanon – a luxury good in the ancient world.

funerary boat in Walton Hall of Ancient Egypt

We know the boat was also painted because scholars that studied it in the 1980s noted small fragments of paint remaining on the wood surface. From these notes, they theorized it could have looked something like this model on display in the gallery.

We have new technology in the field of conservation that can reveal trace amounts of pigments that are not visible to the naked eye. To capitalize on this new technology, I invited my conservator colleague, Dawn Kriss, to work with CMNH’s conservator, Gretchen Anderson, to carry out Multi-Band Imaging on the boat.

Gretchen Anderson and Dawn Kriss in Walton Hall of Ancient Egypt

With other sources of light blocked out, Multi-Band Imaging can reveal a number of elements on a surface including pigments, binders, and treatments, even if they aren’t easy to see. I am most excited about the pigment Egyptian blue, which can luminesce through Visible Induced Luminescence Imaging (VIL).

detail of boat with blue pigment

When Dawn found this mysterious blob – we thought we definitely had Egyptian blue!

imaging work in progress

In her analysis of the boat, Dawn first looked at the blob (with help from Chase Mendenhall, CMNH’s Assistant Curator of Birds, Ecology, and Conservation – moonlighting as an Egyptologist). Dawn carried out the whole range of Multi-Band Imaging on the blob, including VIL. Surprisingly, it did not luminesce like we all thought it would.

Michael Belman testing the blob with X-ray fluorescence

We invited our colleague, Michael Belman, CMOA’s Object Conservator, to join our hunt for information about pigments, binders, and treatments on the boat. My ultimate priority was the blob! When Michael tested it with XRF (X-Ray Fluorescence) technology, he found what seemed to be trace amounts of copper, which is what we would expect with Egyptian blue. Yet, there didn’t seem to be enough to suggest it was the primary element in the pigment…

This initial analysis has prompted us to continue our study of it, and search for other pigments, binding material, and treatments. Keep tuned for updates on the Carnegie Boat and the mystery of the blob!

Erin Peters is an assistant curator of science and research at Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

Filed Under: Blog Tagged With: ancient egypt, conservation, Erin Peters, Walton Hall of Ancient Egypt

September 10, 2018 by wpengine

Collections Connections

by Erin Peters

As Assistant Curator who works with the ancient Egyptian collections at CMNH, I care for and research our own collections, and also strive to be aware of connecting threads with other museums, their collections, and staff. In the wake of the devastating fire at Brazil’s National Museum that destroyed an incalculable amount of irreplaceable natural and cultural heritage (which included what is reported to be the entire Egyptian collection consisting of approximately 700 objects), it is especially important to celebrate these connections, and continue to build them.

In researching how we might update the display in our Walton Hall of Ancient Egypt, Jaron Keener (CMNH Exhibit Designer and Production Manager) and I recently went to the St Louis Art Museum. Jaron and I were excited to see the museum’s newly reinstalled permanent Egyptian collection, and to view the blockbuster travelling show, Sunken Cities: Egypt’s Lost Worlds.

Dr. Erin Peters at St. Louis Art Museum

We looked at amazing objects (some of them rarely on view outside of Egypt), like this monumental statue of a queen in the guise of Isis.

Jaron Keener at St. Louis Art Museum

And we were interested in how objects were displayed, like this group of processional vessels and equipment installed in front of a life-size image of a boat that would have been used in processions. The boat is similar in size to our 30-foot funerary boat from Dashur.

We were also delighted to find other objects that are similar to ours in the Walton Hall of Ancient Egypt.

wooden statuette of Serapis

Our small wooden statuette of the god Serapis was found at Kasr el Harit, a small town near the Fayum in Egypt. The Fayum is a region located west of the Nile River and south of modern-day Cairo. Kasr el Harit was known as Theadelphia by the early Roman period in Egypt, and is the same site that an exquisite over-life-size wooden statue of Serapis on display in Sunken Cities was found.

wooden Serapis

While images of Serapis are common from many areas of the ancient Mediterranean, these two wooden statues are relatively rare, and show how Egypt’s desert climate has preserved an exceptional amount of material. In connecting that material across museums, cities, and countries, we can expand our knowledge and continue to discover new things about Egypt and the rest of the ancient world.

Erin Peters is assistant curator of science and research at Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences working at the museum.

Filed Under: Blog Tagged With: ancient egypt, ancient world, egypt, Erin Peters, Jaron Keener, Walton Hall of Ancient Egypt

July 16, 2018 by wpengine

Does it sound strange to walk like an Egyptian on painted floors?

By Dr. Erin Peters

We often see paintings hung on walls today, so it may be hard to believe ancient Egyptians could walk on them! Many surfaces were painted in ancient Egyptian temples and tombs, even floors. We have a fragment of a painted floor from the Meru-Aten palace/temple at Akhetaten (modern Tell el-Amarna) in the Section of Anthropology’s storage. Amarna was the capital city of the pharaoh Akhenaten and his wife, Nefertiti, who famously changed Egyptian religion from polytheistic – worshiping many gods – to monotheistic – worshiping a single god. Akhenaten and Nefertiti’s single god was the Aten, the sun itself.

Fragment of a painted floor pavement from the Meru-Aten, Akhetaten
1. Fragment of a painted floor pavement from the Meru-Aten, Akhetaten (el-Amarna), Dynasty 18, acc. # 7106.

Nature was essential to all eras of Egyptian society, but the change to worshiping one natural element heightened this relationship in the Amarna Period. We see this in the art and architecture that survives, like our painted floor pavement. As you can see in the detail, the painting depicts red poppies, a common flower in ancient Egypt. The exquisite interlacing leaves and flowers, along with the visible brush-strokes of the ancient artisan, give the poppies a sense of naturalism characteristic of Akhenaten’s reign.

Detail of fragment of a painted floor pavement from the Meru-Aten, Akhetaten (el-Amarna)
2. Detail of fragment of a painted floor pavement from the Meru-Aten, Akhetaten (el-Amarna), Dynasty 18, acc. # 7106.

This naturalism contrasts with art and architecture produced before and after the Amarna Period, like the painting in the Dynasty 19 tomb of Sennedjem at Deir el-Medina. Half of Sennedjem’s tomb is recreated in our Walton Hall of Ancient Egypt. You may be familiar with the scene of Sennedjem and his wife adoring several gods in two rows within a shrine. The other half of the tomb shows Sennedjem and his wife in the Field of Reeds (what we think of as the Afterlife). The fields are surrounded by water and abundant trees and plants, including the mandrake, cornflower, and red poppy in the row at the bottom.

tympanum of the East Wall of the tomb of Sennedjem, Deir el-Medina
3. The tympanum of the East Wall of the tomb of Sennedjem, Deir el-Medina, Dynasty 19.

This detail shows rows of mandrakes, cornflowers, and poppies – all are painted in a more stylistic, or abstract way, than the poppies on our Amarna Period floor pavement.

Detail showing mandrake, cornflowers, and red poppies
4. Detail showing mandrake, cornflowers, and red poppies in the tympanum of the East Wall of the tomb of Sennedjem, Deir el-Medina, Dynasty 19.

While we see more naturalistic representations in the Amarna Period, floors were painted in all periods – so walking like an Egyptian could often mean walking on paintings!

Erin Peters is joint assistant curator of science and research at Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences working at the museum.

Filed Under: Blog Tagged With: ancient egypt, egypt, Erin Peters, Walton Hall of Ancient Egypt

June 21, 2018 by Kathleen

Book and Tour with Dr. Erin Peters

At the next Book and Tour, discuss the historical novel Memoirs of Hadrian by Marguerite Yourcenar with Carnegie Museum of Natural History Assistant Curator Dr. Erin Peters. Yourcenar’s book reimagines the life of the Emperor Hadrian from his childhood through his time as emperor. It is written from the perspective of Hadrian as if he were writing to Marcus Aurelius, a tactic which Yourcenar used successfully to bring Hadrian’s world to life.

Dr. Peters offers perspective on this book from her research at Antinoupolis, a city named for Hadrian’s companion–the Greek youth, Antinous. Supposedly, on a trip down the Nile with Hadrian in 130 CE, Antinous fell from the boat and drowned. Because of Egyptian beliefs, Antinous was deified after death, and Hadrian founded the city for the cult of the new god.

Dr. Peters will take you on a tour that focuses on objects in the Walton Hall that date to the Ptolemaic and Roman periods to give a sense of the ancient Mediterranean leading up to and during Hadrian’s time.

This is a free event, but those wishing to attend must sign up. To sign up, please join our Meetup group and RSVP.

Tagged With: ancient egypt, Erin Peters, Walton Hall of Ancient Egypt

December 8, 2017 by wpengine

Ask a Scientist

Ask a Scientist: What does the bird on this limestone fragment symbolize?

Assistant Curator of Science and Research Dr. Erin Peters talks about “Egyptian blue” and the meaning of the falcon found on this ancient Egyptian limestone fragment.


Ask a Scientist is a new short video series where we ask our research staff questions about the millions of amazing objects and specimens stored in our collection. Tune in on YouTube, and submit your own questions via Twitter @CarnegieMNH.

Filed Under: Blog Tagged With: ancient egypt, Ask a Scientist, Erin Peters

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