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The Stories We Keep

April 1, 2026 by Erin Southerland

A New Exhibition Endorses Old Advice 

by Pat McShea
jars of amphibians and reptiles preserved in fluid on shelves in the Alcohol House
Credit: Mason Williams, The Warhol Academy

In The Stories we Keep: Bringing the World to Pittsburgh, visually rich displays of authentic materials emphasize the depth, breadth, and importance of scientific collections at Carnegie Museum of Natural History. As an introductory panel in the temporary exhibition summarizes, “Every fossil, every animal, every object has a story to tell about our planet, the universe, and our place in it.” 

The message flanks a wall section on which the life-sized projection of behind-the-scenes imagery from four of the Museum’s scientific sections plays continuously on a 4.5-minute loop. Titled Footage from Collections, this colorful assemblage invites viewers into collection storage areas holding birds, amphibians and reptiles, insects, and invertebrate fossils. Extraordinary scientific specimens are the rightful stars of the show, but the brief video also includes cameo appearances by some of the people responsible for the care and study of these mission critical materials.

When I first watched the video, scenes in the amphibian and reptile collection awakened a memory from the early 1990s of a curator’s impassioned defense of active collecting. Remarkably, the scientist’s verbal argument was presented to a single student. I was fortunate to be a sideline observer. 

Thirty-three years ago, in fulfilling the request of a fellow educator at the Pittsburgh District of the US Army Corps of Engineers, I introduced an undergraduate student who had just completed a summer internship with that federal agency to Dr. C.J. McCoy, then CMNH Curator of Herpetology. The student’s culminating internship project was a survey of amphibian diversity on the Corps of Engineers property surrounding Loyalhanna Dam and Reservoir in Westmoreland County, and following weeks of solo fieldwork, she hoped to share her findings with appropriate Museum staff.

We met in Dr. McCoy’s office, standing around a table that allowed the student to open the thick binder of her survey report and provide a five-minute orientation to the document’s photographs, maps, data tables, and charts. Dr. McCoy then carefully paged through the work, praising the thoroughness of the student’s investigation, admiring many of her frog and salamander photos, and explaining that he was personally familiar with the rugged wooded and wet terrain she had obviously repeatedly traversed. Then he asked if she had collected any voucher specimens, the term for permanently preserved biological samples that serve to verify an organism’s presence at a particular place during a particular time. 

A ten-minute discussion ensued, with the student explaining her belief that exacting field techniques and meticulous record keeping made the collection of voucher specimens optional. She maintained that the presence of the species under study could be fully documented without having to kill any of them. By way of example, she flipped her report’s pages to a section where full-color amphibian photographs included scale bars as a check against the recorded figures in measurement tables. 

measuring a herpetology specimen
As this image implies, specimens in museum collections may be re-examined to help answer scientific questions. Credit: Mason Williams, The Warhol Academy

Dr. McCoy’s rebuttal began with a theoretical but sincere offer. He explained to the student that if she had collected voucher specimens, be they bull frogs, spring peepers, redback salamanders, or red efts, he would have been eager to add them to the Museum’s scientific collection, especially with the associated information in the survey report. With properly labelled voucher specimens in a repository such as the CMNH herpetology collection, he continued, the hard-earned findings of her summer fieldwork might well inform future scientific investigations such as studies of a particular species or groups of species, or even studies of changes in landscapes. Under circumstances where land use decisions are made, he argued, the deaths of individual animals in the service of creating a scientific record of their presence, could serve long-term to safeguard the population they represent.

The curator’s closing argument addressed the limits of the photographs he had praised only moments earlier. He spoke of vantage point limits in photography, and the likelihood of any future identification disputes remaining unresolved in the absence of verifying voucher specimens.  Finally, he reminded the student that her name would be associated with any vouchers as the collector, and that the preserved remains would undoubtedly increase the survey’s impact.

The meeting ended amicably, but without any concessions from the student. In the decades since, I’ve had occasion to present some of Dr. McCoy’s arguments dozens of times during various educator workshops. Recently, in a Science Story on this site, I came across an encouraging current endorsement for the importance of voucher specimens.

At the conclusion of an account titled, Hopping Into the Bornean Rainforest, Rohan Mandayam, who served as Research Assistant to CMNH Curator Dr. Jennifer Sheridan during fieldwork in 2025, clearly explains his thoughts and actions related to collecting representative samples of the creatures he spent weeks studying:

The final facet of our field work involved collecting a limited number of the frogs we encountered at our study streams. These frogs were anesthetized and prepared as specimens to be taken to either the Carnegie Museum of Natural History or to Sabah Parks, one of our local collaborators. Removing animals from the wild and putting them down definitely weighed on me, and I never took that work lightly. However, there are several reasons for collecting frogs in this manner. Collections-based research on frog body size (one of the most important features of a biological organism), specifically regarding whether the body size of a given species has changed over time, is only possible via analysis of preserved specimens of that species spanning a long time scale. 

The record of the voucher specimens, he concludes, “has the potential to be used to answer future biological questions that we don’t even know to ask yet!”

Pat McShea is Educator Emeritus at Carnegie Museum of Natural History.

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Published April 2, 2026

Filed Under: Blog Tagged With: Pat McShea, SWK2, The Stories We Keep

February 28, 2024 by Erin Southerland

Carnegie Museum of Natural History presents The Stories We Keep: Conserving Objects from Ancient Egypt

March 9, 2024-March 9, 2025 

Ancient Egyptian Objects Return to View, Museum Invites Visitors to Step Behind the Scenes and Follow the Conservation of More than 80 Ancient Objects

person removing soot from an ancient Egyptian artifact

Carnegie Museum of Natural History presents The Stories We Keep: Conserving Objects from Ancient Egypt. The new exhibition, produced in house, opens the curtain on behind-the-scenes work and puts the art and science of artifact conservation centerstage. It also marks the return to public view of ancient Egyptian objects after the museum closed Walton Hall of Ancient Egypt in 2023 for necessary conservation. Opening March 9th and on view for one year, The Stories We Keep invites visitors to see these objects—cared for by the museum for more than a century—in a new light and to witness the work that will preserve them for future generations. 

pair of gloved hands holding an artifact

Every object in the museum’s care has stories to tell, about its creation and original use, its journey to Pittsburgh, and about the lives of those in ancient Egypt. The Stories We Keep features more than 80 items from ancient Egypt—including the 4,000-year-old Dahshur boat, one of only four in the world. CMNH invites visitors to engage with these objects like never before, have conversations with museum conservators, observe the care and restoration of objects in real time, and attempt the work themselves by reassembling replicas of ancient objects created with the assistance of 3D scanners.

Museum conservators will hold daily demonstrations and answer visitor questions about the objects and conservation tactics. Visitors can also submit questions by using a QR code, and the conservation team will address select entries in a video series accessible on the museum’s website and social media channels.


“We know how interested visitors are in ancient Egypt,” said Sarah Crawford, Director of Exhibitions and Design. “This exhibition allows visitors to satisfy their curiosity and watch as our Conservation team carries out their vital work caring for these ancient Egyptian items. We hope our fans gain new insights into these beloved objects and an appreciation for the hard work, dedication, and talent of our colleagues who safeguard them.”

person using a brush on a piece of wood

The exhibition will prominently feature the Dahshur boat, one of four funerary boats still in existence from Egypt’s 12th Dynasty. In 2023, CMNH recruited Egyptian conservator Dr. Mostafa Sherif, an expert on ancient wood restoration, to treat the boat. He joins senior conservator Gretchen Anderson, who oversees the museum’s conservation operations, and project conservator Annick Vuissoz, who arrived at the museum last month to manage the ongoing conservation of 650 ancient Egyptian objects in CMNH’s care.

“This is an entirely new experience for visitors,” said Dr. Lisa Haney, Assistant Curator and Egyptologist. “It connects us to ancient people in a new way, encouraging us to think differently about our own everyday objects and the stories they tell. We hope to create new connections between the past and the present and highlight the science that helps preserve those connecting threads.”

 
The Stories We Keep is free with museum admission and runs until March 9, 2025. General museum admission costs $25 for adults, $20 for adults 65 and older, $15 for children aged 3-18 or students with valid student IDs, and $12 after 3 p.m. on weekdays. Admission is free for members and children aged 2 and younger. More information is available at CarnegieMNH.org.  

Filed Under: Press Release Tagged With: ancient egypt, anthropology, egypt, Science News, The Stories We Keep

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