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Walton Hall of Ancient Egypt

September 14, 2020 by wpengine

Egypt and the Nile

Over the course of some five millennia the ancient Egyptians developed a distinctive material culture shaped in large part by their local geography, natural resources, and relationship with the Nile River. In the 5th Century BCE, the Greek historian Herodotus noted that “any sensible person” could see that Lower Egypt was a “gift of the river” (Herodotus, 2.5). While his comments were limited to the areas in the north and in the Delta, they really ring true for all the Nile River Valley. Every aspect of life in Egypt depended on the river – the Nile provided food and resources, land for agriculture, a means of travel, and was critical in the transportation of materials for building projects and other large-scale endeavors. It was a critical lifeline that literally brought life to the desert.

Map of Ancient Egypt (www.shutterstock.com 211163719)

The modern name of the Nile River comes from the Greek Nelios, but the Egyptians called it Iteru or “River.” The Nile is the longest river in the world, measuring some 6,825 km. The Nile River System has three main branches – the White Nile, the Blue Nile, and the Atbara river. The White Nile, the river’s headwaters, flows from Lake Victoria and Lake Albert. The Blue Nile brings about the inundation or annual flood and provides most of the river’s water and silt. The Atbara river has less of an impact, as it flows only occasionally.

In the south, the Nile has a series of six main cataracts, which begin at the site of Aswan. A cataract is a shallow stretch of turbulent waters formed where flowing waters encounter resistant rock layers. In the case of the Nile cataracts, large outcroppings of granite make the flow of the river unpredictable and much more difficult to traverse by boat. The cataract system created a natural boundary at Aswan, separating Egypt from its southern neighbor, Nubia.

Ancient Egypt was located in Northeastern Africa and had four clear geographic zones: the Delta, the Western Desert, the Eastern Desert, and the Nile Valley. Each of these zones had its own natural environment and its own role within the Egyptian State. Cities could only flourish in the Nile Delta, the Nile Valley, or desert oases, where people had access to water, land, and key resources. The ancient Egyptians, who were always keen observers of nature, often associated the Nile Valley with life and abundance and the neighboring deserts with death and chaos.

Kemet or, “black land,” denotes the rich, fertile land of the Nile Valley, while Deshret, or “red land,” refers to the hot, dry desert. The contrast between the red land and the black land was not just visible or geographic, it effected the Egyptians’ everyday lives. The dry climate of the desert, for example, made it an ideal location for cemeteries. There, the annual Nile flood would not disturb people’s graves and the dry climate acted to preserve tombs and their contents. Good preservation and the fact that most people do not live in the desert, are the main reasons that so much of what archaeologists and anthropologists study comes from a funerary context.

View with the Nile River Valley in the foreground and the desert cliffs in the background. (www.shutterstock.com 1082850872)

The landscapes of Upper and Lower Egypt also differ. The Egyptian word Tawy, means “Two Lands” – this refers to the two main regions of ancient Egypt, Upper and Lower Egypt. Lower Egypt is in the north and contains the Nile Delta, while Upper Egypt contains areas to the South. These two designations may seem counterintuitive to their physical locations, but they reflect the flow of the Nile River, from South to North.

The expansive floodplain of the Nile Delta and the very narrow band of fertile land present in the Nile Valley led to different ways of life. In the Nile Delta for example, the Egyptians constructed their towns and cemeteries on turtlebacks; natural highpoints in the landscape that became islands during the inundation. In addition, the location of the Delta along the Mediterranean and at the entry point into the Levant made it an important area for trade and international contacts. The Delta was a very multi-cultural region throughout Egyptian history.

Ancient Egyptian Sema-Tawy – represents the eternal unification of Upper and Lower Egypt (www.shutterstock.com 1778750570).

The Egyptians thought of the king as the unifier of the “Two Lands.” One of the king’s primary roles was to keep Upper and Lower Egypt united; the Egyptians expressed this visually using something we call the sema-tawy motif. Here you can see two Nile gods symbolically uniting the lands of Upper and Lower Egypt – each depicted in the form of their characteristic plant, the papyrus for Lower Egypt and the lotus for Upper.

The Egyptians constructed their calendar around the yearly cycle of the Nile. It included three main seasons: Akhet, the period of the Nile’s inundation, Peret, the growing season, and Shemu, harvest season. The Egyptians made Nilometers to measure and track the height of the annual inundation – they used the recorded readings from these Nilometers much like more contemporary farmers would use almanacs. One particularly well-preserved example is located on Elephantine Island at Aswan.

The close connection between the Egyptians the Nile River led them to identify a number of Egyptian gods with aspects of the river, its annual flood, and the fertility and abundance associated with them. Hapi, for example, is the incarnation of the life force that the Nile provides; he also symbolizes the annual inundation of the Nile. His round belly and folds of skin represent abundance. Osiris, who is most often recognized in his role associated with the afterlife, is fundamentally a god of regeneration and rebirth. Artists often depicted him with black skin, linking him to the fertility of the Nile River and its lifegiving silt. The broader natural world was a further source of inspiration for Egyptian religion.

Elephantine Nilometer (Image by author)

The Nile was also an important highway, it was the easiest way to travel and played an essential role in mining expeditions, trade, architectural projects, and general travel. The Egyptians were expert boat builders; images of boats are some of the earliest designs that appear on Egyptian Predynastic Vessels dating to ca. 3500-3300 B.C.E. River access decreased the time and number of individuals needed for the transportation of large objects, like stones, obelisks, and architectural elements. Boats were also common in the funerary religion as well – as a part of the funeral itself and for the afterlife.

Although I’ve only been able to touch on a few key elements here, the natural environment of Egypt and the Nile River impacted every aspect of life in ancient Egypt. The river’s floodplain, water, and silt provided the foundation for civilization and served as a source of inspiration for the people who inhabited northeastern Africa during this pivotal period in history.

Lisa Saladino Haney is Postdoctoral Assistant Curator of Egypt on the Nile at Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

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Carnegie Museum of Natural History Blog Citation Information

Blog author: Haney, Lisa
Publication date: September 14, 2020

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Filed Under: Blog Tagged With: ancient egypt, Egypt on the Nile, Lisa Haney, Museum from Home, Science News, Walton Hall of Ancient Egypt, We Are Nature 2

August 3, 2020 by wpengine

Cats: The Archeological Site!

There’s an internet meme making the rounds that says if dogs are “man’s best friend” then cats are basically weird roommates. However, if you happened to live in ancient Egypt, you’d consider cats to be tad more special—a veritable link to the divine, in fact. Cats were of great importance in matters both earthbound and spiritual in Egypt, beginning even before the First Dynasty over 5,000 years ago. Aloof but lovable, cats played the role of pet, hunter, and deity in ancient Egypt and to this day they haven’t forgotten. Believe me, cats know.

Let’s start with the practical role that cats played in Egypt. Has yours ever left you a present of a dead mouse or bird? Odds are that it has—whether you liked it or not. Ancient Egyptians valued cats for this very skill. Cats hunted the rodents that threatened to devour Egyptian grain and spread deadly diseases. Cats also hunted animals dangerous to humans like snakes and scorpions. Tomb paintings also depict cats helping their royal owners hunt elusive marsh birds for sport. Egyptians loved cats for their companionship as well—not just as hard-working professionals—and played a major role in domesticating them. Ancient Egyptian art captures cats wearing collars and lurking under chairs not so differently from the cats that keep us company today.

When cats stretched themselves out in the sun for a catnap, ancient Egyptians associated them with the sun god Ra and his daughter Bastet. Bastet was the goddess of the home, fertility, joy, and the protection of children; and she is often depicted in statuary as a woman with the head of an alert, attentive cat. Even earlier depictions of Bastet, however, show a fierce and wild lioness. Some scholars believe this shift in imagery is connected to the domestication of cats—from the Near Eastern wildcat (Felis silvestris lybica) to the modern-day housecat (Felis catus). These traits of the goddess Bastet—vigilance, protectiveness, companionship—were reflected in the characteristics of Felis catus. Ra, in his cat form, also shared these characteristics. When accompanying a deceased Egyptian to the afterlife, Ra was prepared to defend them from Apep, the serpent god of chaos and disorder.

cat statuette

By the Ptolemaic period of Egyptian history (305-30 BCE), Bastet was hugely popular. Her temples drew thousands of pilgrims every year. These pilgrims would buy statuettes of the goddess or actual cat mummies to leave at the temple. This was a way for the pilgrims to commemorate their visit and to venerate Bastet. When the number of these statues and cat mummies grew too large, the priests of the temple would dig special trenches and bury them to make room for more. About two thousand years later in the nineteenth century, archeologists would begin to unearth these trenches and discover more cat mummies and Bastet statuary than they knew what to do with. Unfortunately, some English excavators even sent the cat mummies they discovered back to Britain…to be ground into fertilizer!

cat mummy in museum display

Millions of cats were mummified in ancient Egypt either to be buried alongside their owner or to be sold to pilgrims devoted to Bastet. Cat mummification in the name of Bastet became an industry because many temples—depending on the whim of pharaonic decree—had to sustain themselves financially on their own. Sometimes a temple might sell a pilgrim a “fake” cat mummy! And it’s one of these curiosities that the Carnegie Museum of Natural History has on display in Walton Hall of Ancient Egypt. While it looks like a standard-issue cat mummy (Roman period, c. 30 BCE), an x-ray led to the discovery that the remains belong to another undetermined animal.

x-ray of cat mummy

Cats played a central role in the daily life and religious practices of ancient Egyptians. They kept their humans safe from snakes and scorpions and Egypt’s grain supply safe from rats and mice. Cats even came to represent in animal form some of Egypt’s most important gods. So, the next time your cat ignores you and wanders off, know that one of its ancestors quite possibly did the same thing to a pharaoh.

Nicholas Sauer is a Gallery Experiences Presenter and Natural History Interpreter at the Carnegie Museum of Natural History. Museum staff, volunteers, and interns are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

Works Cited

“Bastet.” The Louvre Museum. 2009. <https://www.louvre.fr/en/oeuvre-notices/bastet>.

Castellano, Nuria. “The Sacred and Secret Rituals in the Egyptian Book of the Dead.” National Geographic, 8 February 2018. <https://www.nationalgeographic.com/history/magazine/2016/01-02/egypt-book-of-the-dead/>.

Grimm, David. “Ancient Egyptians May Have Given Cats the Personality to Conquer the World.” Science Magazine, 19 June 2017. <https://www.sciencemag.org/news/2017/06/ancient-egyptians-may-have-given-cats-personality-conquer-world>.

Little, Becky. “Kitten Mummies.” History.com, 18 November 2018. <https://www.history.com/news/ancient-egypt-cat-mummy-discovery-scarab>.

Macdonald, James. “Why Ancient Egyptians Loved Cats So Much.” JSTOR Daily, 27 November 2018. <https://daily.jstor.org/why-ancient-egyptians-loved-cats-so-much/>.

“Paintings from the Tomb-chapel of Nebamun.” Khan Academy. 2020. <https://www.khanacademy.org/humanities/ancient-art-civilizations/egypt-art/new-kingdom/a/paintings-from-the-tomb-chapel-of-nebamun>.

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Filed Under: Blog Tagged With: cats, Museum from Home, Super Science Days, Super Science Meowfest, Walton Hall of Ancient Egypt

February 14, 2019 by wpengine

Looking at Love in Ancient Egypt

With Valentine’s Day here, it’s hard to ignore all of the chocolate displays in stores and the sappy movies on TV – some might say that love had been commercialized for companies to make a quick buck. While they may be right about America in 2019, the same cannot be said about the ancient Egyptians.  The Egyptians are credited with a lot.  They built the pyramids, they mummified bodies and had giant elaborate tombs.  One thing that people might not think about as often is how the Egyptians experienced love, marriage, and even infidelity and divorce.

Our first stop on the love train is the story of Isis and Osiris – two of the most famous gods of ancient Egypt.

image of Osiris

As seen in this image from the Walton Hall of Ancient Egypt here at the Carnegie Museum of Natural History, Osiris is depicted as green-skinned, and he looks like a mummy! These are attributes unique to Osiris and they come from the story of himself and Isis.  Osiris was reigning as king, and his brother Set was not too happy about it.  So, he killed Osiris, tore his body into a bunch of pieces and strew them all over Egypt.  In her mourning, Osiris’ wife Isis traveled far and wide to gather all of the pieces of her husband to eventually put them all back together and had a child with him.  That child was Horus, who would then go on to avenge his father and kill his uncle.  If that’s not love, then I don’t know what is.

Our second stop is on the topic of marriage in ancient Egypt.  In American culture today, weddings are huge expensive parties that include entire families, huge cakes, and poufy dresses.  This is not anything like marriages in ancient Egypt.  Early marriages consisted of a woman entering a man’s house with whatever goods that they had agreed upon and the husband signing some paperwork.  Often marriages were arranged, but there is evidence that importance was placed on a loving couple, like love poems and songs found at the workers village of Deir el-Medina.  The people living in this area were usually tomb builders or painters, like Sennedjem, the owner of the tomb in Egypt on which our reconstruction is based.

text on pottery shard from ancient Egypt

Love poems from Deir el-Medina could be found on similar surfaces as those on display in Walton Hall, like these shards of stone and ostraca (shards of pottery). Sometimes shards like these were used like “scratch paper” and discarded, leaving them for archaeologists to find.  According to Cameron Walker at National Geographic, these poems turned simple daily tasks such as catching fish into metaphors for their love.

Marriage was supposed to be everlasting for a good pair.  If you were faithful to your spouse and a good spouse overall, you could find them waiting for you in the afterlife.  If you were not good to them, you might not see them, or you might not even get to the afterlife at all.  But, Egyptian society was quite sophisticated, if things didn’t work out in life, there were options for divorce.  If either the husband or wife was dissatisfied, they could initiate a divorce, and the settlement was seemingly as simple as the marriage.  Some paperwork was signed, and assets were divided upon agreements during the marriage.  One important pillar of marriage was fidelity.  If a spouse was found to be unfaithful to their partner it would be seen as grounds for a divorce.

Overall, the Egyptians placed emphasis on being faithful and being a loving spouse.  But at least in the realm of the gods, there were cases of love that transcend our comprehension.  Let’s be honest, who would really go all over and find pieces of their dead spouse…anyone?  So, all in all the ancient Egyptians might seem to be a mysterious people but in the aspects of love and marriage they are really just like everyone else.  We are all just people looking for love and, in the case where we can’t find it, cheap sweets to tide us over.

Anthony Kamler is a volunteer in the Section of Anthropology. Museum employees and volunteers are encouraged to blog about their unique experiences working at the museum! 

Filed Under: Blog Tagged With: ancient egypt, anthropology, egypt, Erin Peters, Walton Hall of Ancient Egypt

October 17, 2018 by wpengine

The Haunted Walton Hall of Ancient Egypt and the Mystery of the Blob

by Erin Peters

If you visited our Walton Hall of Ancient Egypt in the last few weeks, you may have seen the windows and doors blocked so you couldn’t see inside. With this dramatic drapery, perhaps we were preparing a haunted Walton Hall for our October 26 After Dark? Alas, this is not the year of the mummy, but something mysterious was happening inside!

Walton Hall of Ancient Egypt with door blocked to light

We are on the search for something missing from our Dynasty 12 funerary boat buried at the pyramid complex of Senwosret III. Even from this very spooky photo taken when we had the gallery blocked from light, you can see the boat is made of wood – cedar of Lebanon – a luxury good in the ancient world.

funerary boat in Walton Hall of Ancient Egypt

We know the boat was also painted because scholars that studied it in the 1980s noted small fragments of paint remaining on the wood surface. From these notes, they theorized it could have looked something like this model on display in the gallery.

We have new technology in the field of conservation that can reveal trace amounts of pigments that are not visible to the naked eye. To capitalize on this new technology, I invited my conservator colleague, Dawn Kriss, to work with CMNH’s conservator, Gretchen Anderson, to carry out Multi-Band Imaging on the boat.

Gretchen Anderson and Dawn Kriss in Walton Hall of Ancient Egypt

With other sources of light blocked out, Multi-Band Imaging can reveal a number of elements on a surface including pigments, binders, and treatments, even if they aren’t easy to see. I am most excited about the pigment Egyptian blue, which can luminesce through Visible Induced Luminescence Imaging (VIL).

detail of boat with blue pigment

When Dawn found this mysterious blob – we thought we definitely had Egyptian blue!

imaging work in progress

In her analysis of the boat, Dawn first looked at the blob (with help from Chase Mendenhall, CMNH’s Assistant Curator of Birds, Ecology, and Conservation – moonlighting as an Egyptologist). Dawn carried out the whole range of Multi-Band Imaging on the blob, including VIL. Surprisingly, it did not luminesce like we all thought it would.

Michael Belman testing the blob with X-ray fluorescence

We invited our colleague, Michael Belman, CMOA’s Object Conservator, to join our hunt for information about pigments, binders, and treatments on the boat. My ultimate priority was the blob! When Michael tested it with XRF (X-Ray Fluorescence) technology, he found what seemed to be trace amounts of copper, which is what we would expect with Egyptian blue. Yet, there didn’t seem to be enough to suggest it was the primary element in the pigment…

This initial analysis has prompted us to continue our study of it, and search for other pigments, binding material, and treatments. Keep tuned for updates on the Carnegie Boat and the mystery of the blob!

Erin Peters is an assistant curator of science and research at Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

Filed Under: Blog Tagged With: ancient egypt, conservation, Erin Peters, Walton Hall of Ancient Egypt

September 10, 2018 by wpengine

Collections Connections

by Erin Peters

As Assistant Curator who works with the ancient Egyptian collections at CMNH, I care for and research our own collections, and also strive to be aware of connecting threads with other museums, their collections, and staff. In the wake of the devastating fire at Brazil’s National Museum that destroyed an incalculable amount of irreplaceable natural and cultural heritage (which included what is reported to be the entire Egyptian collection consisting of approximately 700 objects), it is especially important to celebrate these connections, and continue to build them.

In researching how we might update the display in our Walton Hall of Ancient Egypt, Jaron Keener (CMNH Exhibit Designer and Production Manager) and I recently went to the St Louis Art Museum. Jaron and I were excited to see the museum’s newly reinstalled permanent Egyptian collection, and to view the blockbuster travelling show, Sunken Cities: Egypt’s Lost Worlds.

Dr. Erin Peters at St. Louis Art Museum

We looked at amazing objects (some of them rarely on view outside of Egypt), like this monumental statue of a queen in the guise of Isis.

Jaron Keener at St. Louis Art Museum

And we were interested in how objects were displayed, like this group of processional vessels and equipment installed in front of a life-size image of a boat that would have been used in processions. The boat is similar in size to our 30-foot funerary boat from Dashur.

We were also delighted to find other objects that are similar to ours in the Walton Hall of Ancient Egypt.

wooden statuette of Serapis

Our small wooden statuette of the god Serapis was found at Kasr el Harit, a small town near the Fayum in Egypt. The Fayum is a region located west of the Nile River and south of modern-day Cairo. Kasr el Harit was known as Theadelphia by the early Roman period in Egypt, and is the same site that an exquisite over-life-size wooden statue of Serapis on display in Sunken Cities was found.

wooden Serapis

While images of Serapis are common from many areas of the ancient Mediterranean, these two wooden statues are relatively rare, and show how Egypt’s desert climate has preserved an exceptional amount of material. In connecting that material across museums, cities, and countries, we can expand our knowledge and continue to discover new things about Egypt and the rest of the ancient world.

Erin Peters is assistant curator of science and research at Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences working at the museum.

Filed Under: Blog Tagged With: ancient egypt, ancient world, egypt, Erin Peters, Jaron Keener, Walton Hall of Ancient Egypt

July 30, 2018 by wpengine

We are one with the force; the force is with science!

By Breann Thompson

In a galaxy far, far away…is life really all that different?  Campers at Carnegie Museum of Natural History have the opportunity to answer that very question this summer!

Star Warriors campers

One recent class of padawans was tasked with selecting a new home planet for the Rebel Alliance—and you can’t choose the best location for a rebel base without a deep understanding of biomes and the types of life that thrive in each!  With that in mind, we travelled the galaxy, and the museum, to devise a plan.  Exploration of Walton Hall of Ancient Egypt helped uncover the landscape of Tatooine.  We imagine that Dagobah wildlife would have much in common with the ancient Pennsylvanian Coal Forests on display in Benedum Hall of Geology.  We even tried our hand at building ice houses, inspired by Inuit culture in Polar World, to test our survival skills on the frigid planet of Hoth.

Star Warriors campers

For now, we’ve been tasked with guarding the base’s location, but I have faith our budding Jedi are responsibly wielding the light side of the force.

The quest for knowledge continues—and you can join in!  The 2018 camp season runs through August 24, and there are chances to join in us in nature exploration throughout the year.

Breann Thompson works in the Education department of Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

Filed Under: Blog Tagged With: Benedum Hall of Geology, Star Wars, Summer camps, Walton Hall of Ancient Egypt

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